So today while going through the Ripple website I noticed that one of my favorite albums from last year was not reviewed. “What no one wrote about Off!s First Four Eps album???“ After the shock wore Off! (pun intended), I decided I should write a little something about a big yet short album. Clocking in at under a mere 18 minutes, the 16 track collection of Eps makes you yearn for more.
There was always a question I asked myself. Though I do love Henry Rollins, I always wondered what would Black Flag of sounded like had Keith Morris never left the band?. Off! is the answer. Beginning with the first “Black Thoughts” you realize that Keith truly can’t be stopped. At the age of 55 it seems he never will. “Black Thoughts” sounds like a song Greg Gin would of wrote right after Nervous Breakdown had Keith never left Black Flag, one minute of in your face blistering punk rock furry with catchy lyrics.
Some other songs of note on the album are “Fuck People”, “Rat Trap” and “Darkness”. Although the entire album is a great listen for those who are ADD about music, love old school punk rock or just music in general. “Fuck People” is by fair my favorite track on the album. Mostly cause I can feel the same way about today’s society.
If you are a fan of old school hardcore punk, this album is for you. If you are ADD about your music or you need a quick punk rock fix, this album is for you. If you are a fan of Black Flag or The Circle Jerks, this album is for you. Bottom line, Off!s First Four Eps is for you. Check it out.
Here is a tip: there are many ways to get this album such as an itunes digital download, a digital download from the official Off! Website or the vinyl box set. I recommend getting the box set since it comes with a free digital download…money well spent.
--Cicatriz
Buy here: http://www.offofficial.com/
Tampilkan postingan dengan label Henry Rollins. Tampilkan semua postingan
Tampilkan postingan dengan label Henry Rollins. Tampilkan semua postingan
Various Artists Rise Above: 24 Black Flag Songs to Benefit the West Memphis Three
Court will come to order. This is somewhat embarrassing for me but I have a confession to make. Even though I am a big fan of old school punk rock, I only recently bought a copy of The First Four Years from Black Flag. I know, I know! Shame washes over me in waves, but hold on a second before you pass sentence. Allow me an attempt to defend myself. I may not have owned the originals, but that does not mean I have been unfamiliar with many of the mighty Flag’s songs. Your Honor, members of the jury, I’d like to introduce Exhibit A into evidence.
What is Exhibit A you ask? Why, only an absolutely crushing album that appeared late in 2002 we will refer to as Rise Above. This album is the brainchild of Henry Rollins, a name that might be familiar to some of you, and was brought about as part of his efforts to raise money for the defense fund of three incarcerated young men known as the West Memphis Three. While it is not my place to give an opinion on their plight during my own trial, I will direct you to www.wm3.org for some interesting, perhaps infuriating reading material. Getting back to the case at hand…yes, Henry Rollins wanted to produce a record which would adequately convey his outrage over what he perceived to be a great injustice. To do this he needed to utilize what he believed to be the ultimate protest music, the songs of Black Flag.
Now with the desired music in mind, he decided what kind of benefit record to produce. Sure there was the tried and true option of getting other bands to record a cover of their favorite track, but that would not produce the cohesion that Rollins was seeking. No, in order to make something that flowed well from start to finish he hired the band Mother Superior (not coincidentally they were Rollins Band at the same time) to lay down blistering, inspired versions of all the chosen Black Flag songs. Once that was completed, the only remaining issue facing Rollins was who would sing on the record. Believing that very little notoriety would be gained from having only himself singing, he decided to match each song with a hand-picked vocalist. And this ladies and gentlemen, is how Rise Above achieves the colossal status that it deserves.
The laundry list of vocalists that took time to be a part of this album reads like a who’s who from the entire music world. All-star lineup does not do them justice. You don’t believe me? Fine, I’ll illustrate. From the punk world there is Iggy Pop, Keith Morris, Exene Cervenka, Tim and Lars from Rancid, Chuck Dukowski, Casey Chaos, Inger Lorre, Kira Roessler, and Henry Rollins (of course!). Rock singers more your thing? How about Neil Fallon, Cedric Bixler Zavala, Mike Patton, Tom Araya, Corey Taylor, Dean Ween, NickOliveri, and last but certainly not least Lemmy. And that’s not all! No sir, covering the worlds of hip hop and country are Chuck D, Ice T, Hank III, and Ryan Adams. Phew! I’ll just say this. If you read the names of all those vocalists and failed to get excited over the inclusion of just one of them, we’re not friends and you need to throw away your music playing devices.
As stated before all of these vocalists were hand picked, then matched up to the Black Flag song their voice/attitude was most compatible with. Great care was clearly taken in this regard, and the results are absolutely devastating. I’m not joking. Pick any song on this album and listen with awe as the vocals deliver haymakers to your eardrums with their inherent greatness. Personal favorites include Hank III’s sublimely psychotic take on “No Values”, Casey Chaos furiously ripping apart “Depression”, Neil Fallon’s thunderously gruff “American Waste”, and Mike Patton’s frenetic/spastic “Six Pack”. Why stop there when Tom Araya lays his arresting sandpaper screams over “Revenge”, and Lemmy lends a previously unheard musicality to “Thirsty and Miserable” with his trademark rumblings. What really amazes me though is listening to Keith Morris on the original “Nervous Breakdown” and then listening to his new take onthe same song off of Rise Above. The man displays substantially more vim and vigor throughout the new version, and has clearly learned a thing or two over the intervening years in conveying anger effectively through his voice. Simply phenomenal!
In conclusion your honor, ladies and gentlemen of the jury…yes, I am guilty of not owning the original versions of most Black Flag songs till early this year. But let’s not pretend I have had no prior knowledge of these wonderful Greg Ginn/Chuck Dukowski compositions up to this point. That would be factually inaccurate seeing as how I have shown through corroborating evidence that for almost a decade now the aforementioned music has been a strong presence in my life. All I ask is that you pick up the album RiseAbove: 24 Black Flag Songs to Benefit the West Memphis Three, listen to it, love it, and then come to a decision. I rest my case.Actually, on second thought, you had better not listen first. You’ll be so overwhelmed with enjoyment, we won’t see you for a while as you listen to the album over, and over, and over again.
--Penfold
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