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Ripple Music To Celebrate 1 year Anniversary with Thank You Discounts and a Special Giveaway!




After exploding onto the scene June of last year, Ripple Music continues its path as one of the fastest growing Independent Record Labels in America!

Following a year that saw the signing and releasing of new and vintage material from Stone Axe, Poobah, JPT Scare Band, Fen, Modern Day Moonshine, Mighty High, Grand Atlantic, Sky Parade, and Kevin Beadles, Ripple Music followed up by adding such bands as Mos Generator, Iron Claw, Grifter, and Tripdavon to their roster, and inked several major international distribution deals.  And there's much more to come!

Now, as Ripple Music moves into its second year, founders John Rancik and Todd Severin want to celebrate the enthusiasm of their music lovers (known as waveriders) with some Anniversary Specials.  As a thank you to their fans and supporters who’ve allowed Ripple to strike out and bring independent music to the world, Ripple will be applying special 15% discounts on everything ordered from the Ripple Store from anniversary day, June 22nd through Independence day July 4th.

And when Ripple Music says “discount on everything” they mean everything, including special collectors packages of Stone Axe I deluxe CD/DVD, vinyl and 7” single,  the new Heavy Ripples double 7” package, and the best-selling Poobah “Let Me In” double 12” LP.  In the store, you can also find classic non-Ripple albums from Ripple artists Stone Axe, Mos Generator, and JPT Scare Band.  All of which will get the additional anniversary discount.

But wait, there's more.  Every waverider who places an order during the anniversary special will get their name placed into a drawing for a very special, last-one-of-its-kind surprise Test Pressing.  Yes, John and Todd are going to go back into the vault and pull out the last test pressing available and give it away as a special surprise to one lucky fan.

It’s all just Ripple’s way of saying thank you for allowing them to keep doing what they love, bringing the best music your way and putting the guts back into rock and roll!

RIPPLE MUSIC STORE

www.ripple-music.com

Ripple Music Invades Grip of Delusion Radio!

Black Light Revolution for 6-18-2011

Keepin’ It Fresh!

Thanks to: Ripple Music, Vulture, Otis Reaper, Tricorn Rock, Kingsnake Philadelphia and Frost Hammer for submitting songs!  You should submit songs to: GripODR@gmail.com !





1. -(16)- – Thiothixene (Re-recorded Version) (4:07) 2. Poobah – Rock n’ Roll (3:48) 3. Mighty High – Don’t Panic, It’s Organic (3:41) 4. Grifter – Small Man Syndrome (2:32) 5. Sun Gods In Exile – Over My Broken Bones (4:46) 6. Stone Axe – Nightwolf (4:32) 7. Khann – The Gate (4:23) 8. The Engineer – Starving Artist (4:15) 9. Birch Hill Dam – Colossus (5:16) 10. U.S. Christmas – The Scalphunters (5:42) 11. Alunah – Living Fast in an Ancient Land (6:43) 12. Frost Hammer – Master of Weapon (4:27) 13. Tricorn – Give Me Some More (4:11) 14. Black Rainbows – Babylon (4:27) 15. Zeke – Chinatown (1:37) 16. Otis Reaper – Optimator (3:29) 17. Fister – Santabbath (5:41) 18. Vulture – Prick of Misery (6:09) 19. EyeHateGod – Dixie Whiskey (2:55) 20. Cherubs – Baby Huey (3:36) 21. The Lemmings – Blue Mountain (4:04) 22. Danko Jones – When Will I See You (3:27) 23. Kingsnake – Dying Working Man (3:25) 24. BOSS 302 – No Overdose (5:18) 25. Struck By Lightning – False Hope (3:30) 26. Obiat – Angry Water (4:10) 27. Capricorn – Hello Strawberry Skies (2:54) 28. Avernal – Green Machine (3:49) 29. Blind Dog – Keep Up The Gloss (3:46) 30. Dala Sun – I Have a Better Way (3:54) 31. Black Sabbath – Supernaut (4:41) 32. Tona – Red Cylinder (3:20) 33. Deathbeds – No Funeral (3:03) 34. Electric Magma – Tokener (2:01) 35. Apehanger – Put The Skin On It (4:54) 36. Lento – Hadrons (5:14) 37. Corrosion Of Conformity – Stone Breaker (5:16) 38. Solace – The Disillusioned Prophet (6:59)

http://www.steamingheathen.com/delusion/2011/06/19/black-light-revolution-for-6-18-2011/

Charity Auction of Rare Test Pressing of Heavy Ripples Double 7": Proceeds to Benefit Joplin Tornado Vicitms


 
Continuing with the company tradition of giving back to the community, Ripple Music will auction an extremely rare original test pressing of Heavy Ripples: vol 1, featuring Stone Axe, Sun Gods in Exile, Grifter and Mighty High, with proceeds going to benefit Joplin Tornado Victims.  The auction will take place on eBay at the Ripple store, starting Tuesday, May 31st, and run for 7 days only.

Only 5 of these test pressings exist, and this is the only one made available to the public.  You can jump into the auction, win a cool heavy rock collectible and benefit disaster relief at the Ripple Music Ebay Store.

The Heavy Ripples test press auction is the latest in a growing line of charity auctions that Ripple Music has created.  Previously, rare JPT Scare Band and Stone Axe test pressings were auctioned with proceeds going to Gulf Disaster and Japan Tsunami disaster relief agencies.  With the tragedy that recently unfolded in Joplin, Mo., Ripple founders John Rancik and Todd Severin thought the time was right to release another rare test pressing from their vault and raise money for a worthwhile effort.


Press raves about Heavy Ripples, vol. I:

"Ripple Music is back with a vinyl-only compilation and, as expected, keeps delivering quality products, not only in respect of their musical taste but also concerning the layout and packaging of the double 7" vinyl set. 'Heavy Ripples' is an excellent compilation which offers the possibility to discover some great unknown bands. The packaging is also high-quality because both records are hidden in a tasteful gatefold sleeve which includes a sweet inside illustration painted by Wayne "Braino" Bjerke." - Cosmic Lava
Stone Axe's “Nightwolf” is one of the bad ass of all bad ass songs, reminds me a bit of ZZ Top’s “Tush” mixed with early Judas Priest. Sun Gods in Exile’s  “Over My Broken Bones” and continues the great sound from their 2009 debut. Grifter gets two songs on this release, and both are punchy, upbeat, catchy and Grifter seems to be having a lot of fun.  Mighty High's “Hempophobic” is fast punchy and the guitars are tight with hints of a blues tune in between the bong hitting.This delicious slab of wax  first pressing is limited to 500 copies so don’t hesitate on ordering yours." -- the Soda Shop
"For fans of heavy classic rock and fans in general of unpretentious riffery, it’s a must-have!  Increasingly, Ripple are becoming a force to be reckoned with when it comes to purveying quality (and varied) rock and roll. A cool listen for converted heads and one that might even win over a few new recruits to the cause." -- The Obelisk



www.ripple-music.com

Ripple Music Update! Lots of Killer Stuff Coming!



Lots of great stuff to tell you about.

Heavy Ripples, the double 7" gatefold release with Stone Axe, Sun Gods in Exile, Grifter, and Mighty High is out and getting killer reviews.  We're in the planning stages for Heavy Ripples vol. 2, so you may expect Mos Generator and Gideon Smith and the Dixie Damned, and a couple more to be named.  Any suggestions?

The new Iron Claw album, first major release by the 70's underground doom/raw blues legends, is in the final mixing/mastering stages by none other than Tony Reed, as is the brand spanking new Grifter full-length.  Expect both those out this summer!

Mighty High is rounding up their stuff also for a summer release of frenzied stoner punk.

Songs are coming in for Stone Axe III and we're planning a Deluxe Collectors Edition of Stone Axe II just like we did with Stone Axe I, which (hopefully) will feature an entire live disc recorded on their most recent tour.   That Stone Axe I reissue is buzzing out the doors, so if you're interested, you may want to stop by Ripple and pick one up.

10 year anniversary issue of the first Mos Generator coming out on vinyl soon and hopefully some new stuff to follow.

And we got a total redesign, remaster, with new songs of the latest Poobah album, Peace Farmers in the works.  Our vinyl/CD reissue of Poobah's second album, US Rock is slated for 2012, which will be another 2xLP freakout of Poobah rock.  First pressing of Poobah's Let Me In already sold out so we've gone back to press to keep up with the demand.

Finally, for prog fans, Fen is opening up for Blackfield at the end of this month, and we're planning on following that up with a vinyl edition of their critically acclaimed, "rails out of Gloom.


Working overtime here at Ripple Central to bring you guys some killer music.  And folks, we really appreciate all your support.

Peace

Free Album Cornucopia!! Check out the Vault Full of Killer Free Music

Over here at the Ripple, we love giving away free (legal) music.  Spread the word.  Help the bands.  The problem is that so much free music comes in, we don't have enough time to post it all.

Enter Ripple Facebook.  Pop on over and "like" the Ripple Effect page, and stay tuned in to the best free songs, EP's, and Album downloads that bands, labels and PR companies send our way.

Here's a sampler of what you can find there right now:


10 free downloadable tracks that sample their catalogue. The Tsurumi Sampler will be available for free until the release of their 5th album Last Chance Summer Dance by latest label signee Fonzarelli. 
 
 
 
The Soda Shop have their excellent free compilation with such bands as Stone Axe, Mos Generator, Venomin James, Gozu, and Lo-Pan. Seriously amazing . . .

 
 
 
The good folk at Exploding in Sound are releasing their 9th  free compilation, featuring such artists as ...And You Will Know Us By The Trail of Dead, J Mascis, Steve Brodsky, Marnie Stern, Bad Books, Guards, Adebisi Shank, Bunny's A Swine, Mini Mansions, Hammer No More The Fingers, Tijuana Panthers, Crystal Antlers, Weekend, Tidal Arms, Hawk Eyes (aka Chickenhawk) and more!
 
 
And much, much more.  Go to Ripple Facebook, become a friend and get the inside line on tons of free music.

Taddy Porter - S/T


“Hey man, we got the kegs.  Four of em.  You ready?”

Ready?  The words trickle through my brain.  I’m 18 years old, finishing high school.  Hanging with my friends Jeff, Paul, Ron, John, and Chris.  Dave is there.  So’s Bob.  Gary's somewhere.  The beer is cold.  An abandoned barn has been pre-scouted as the spot du jour.  My “man-machine” the 1974 Fiat is gassed and ready, intimidating the world with it's huge rubber bumpers.  The word has been spread around the school.  It’s time for a good old-fashioned beer blowout. 

And it’s up to me to bring the music.

Now, in reality, that scene may have taken place in the late ‘70’s or early ‘80’s, but the perfect music to complete this scene just dropped into my hands, fresh and dirty in 2011.

Taddy Porter bring on a southern-fried, greasy blitz of big riff, blues-infected rock that just begs to be cranked up and blown out of ’67 Camaro’s, ’73 Mach One’s, and just about any pick-up truck ever made.  These guys are simply a party in a bottle.  This is retro-rock, near-perfection and should blow the band huge.  Their blues riffs are meaty and beefy enough to get the guys gathered around the keg head-bobbing in rock-mania unison, while the backbeat grooves and undulates with enough sex to keep the girls swaying their hips on the dancefloor.  Or in this case, the dance barn.

I knew I was in good shape from the very first seconds of “Whatever Haunts You,” quite simply a monster of retro-fried Zeppelin blues frenzy.  From the very first moment, the boys show restraint, inherently knowing what it takes to bring dynamic to the song.  A simple, bluesy guitar stutter brings us on.  A drum beats somewhere in the background, steadily, like someone making love behind the barn door.  Slowly, languidly, the pace picks up until . . . all blues hell breaks loose.  Andy Brewer belts out the opening with a gruff-Plant energy as guitars, bass, and drums kick into full fury around him.  Dust bellows from the abandoned barn as air guitars break out from the guys and those young girls start swaying in ways far too seductive to write about in a family music site.  Oh fuck that.  They’re sexy as all get out.  Guys lining the walls watching those girls grind and shake, fantasies filling their heads.  And in each of those fantasies, “Whatever Haunts You,” is playing.  Dropping down to a mid-song respite, bellowing back up with a raging guitar solo courtesy of Joe Selby.  Kevin Jones on bass and Doug Jones on the kit keep those female hips taunting and teasing.  A great modern blues rock number through and through.

“Big Enough” keeps the sexual energy driving with a country-fried blues work-out.  This is what I always wanted the Black Crowes to sound like.  Big muscular guitars, stop-start riffing, snotty backing vocals, and Andy spewing out lyrics that seem to be about just what you might think with a title like “Big Enough.”  Not sure about that, but on my imaginary dancefloor that’s what they’d all be thinking anyways.  Toss in a truly bopping chorus and this song is another barn burner.

“Shake Me,” rocks in a Bad Company vein, maybe with a touch of BTO or many other 70’s rockers.  The opening riff reminds me of half of an ELO track before it takes off into dirty blues rock heaven.   For the life of me, I can’t imagine why this song wouldn’t be a hit.  In the 70’s it would’ve been and Taddy Porter would be filling stadiums with their southern Arena rock approach.  And the crowd would’ve eaten it up.   Whiskey soaks through each note like a home-bottled brew of 70’s moonshine.  Each riff is powered with enough grit and dust to make it truly authentic.  These aren’t guys going through the motions and they aren’t living in the past.  They’re living this rock, day to day, moment to moment.  Authenticity drips from each song like blood from an opened vein.  Toss some Stone Axe into the mix and we got a whole new breed of modern 70’s rock. 

As the party rages on and the keg starts to dry up, “Long Slow Drag” offers a brief respite from the frenzied rock.  A momentary slow dance before “I Gotta Love,” attacks in Blackfoot intensity.   The party rages back to full force.  With that charging guitar riff and killer vocal hook, hands fly into the air, the dance barn fills, beer flies and spills.  “Mean Bitch” sums up the wallflower guys’ thoughts at all the girls who rejected them that night with a guitar solo that can burn off enough of these guys’ pent up sexual frustrations.

The first fight of the night erupts to the rocking second half of “Fire in the Streets” which escalates from it’s subdued beginning in true Bad Company fashion to a full-on fist-throwing guitar epic mid-section.  A few lips get bloodied.  A few girls start crying in high school dramatics.  It’s all good.  It’s a Saturday night at a barn beer fest. 

Finally, as the keg runs dry, Taddy Porter cool the crowd down with the restrained, mid-tempo closers of “Railroad Queen” with it’s tasty slide licks and southern boogie, then the finale of “King Louie” a guitar screamer with a fierce backbeat a la The Rockets or 38 Special when they were good.  Andy’s voice really shines here revealing some tastefully roughed up soulful vocal chords, and the band ushers the crowd out with some stinging guitar leads.

The Camaros fire up.  The Mach One’s drive off.  Empty kegs get thrown into the back of the pick up trucks and I climb behind the wheel of my . . . Fiat.  Testosterone burned.  Sweat stained.  Sexual fantasy induced.  It’s been one helluva night.

And Taddy Porter is on tap for next weeks blast as well.


--Racer



Buy here: Taddy Porter
Buy here mp3: Taddy Porter (Amazon Exclusive Version)









RSD Means Ripple Store Day – Special Discounts for Record Store Day Weekend


 
After exploding onto the scene June of last year, Ripple Music continues its path as one of the fastest growing Independent Record Labels in America.

Following a year that saw the signing and releasing of new and vintage material from Stone Axe, Poobah, JPT Scare Band, Fen, Modern Day Moonshine, Mighty High, Grand Atlantic, Sky Parade, and Kevin Beadles, Ripple Music followed up by adding such bands as Mos Generator, Iron Claw, Grifter, and Tripdavon to their roster, and joining with Small Stone Records to release new material from Sun Gods in Exile.  And special projects are in the works for more Poobah, Stone Axe, JPT Scare Band, and special releases from this year's Fuzzapalooza.

Now, Ripple Music will celebrate Records Store Day with their own Ripple Store Day.  As a thank you to their fans and supporters who’ve allowed Ripple to unleash all this musical mayhem onto the world, Ripple will be applying special 15% discounts on everything ordered from the Ripple Store from April 15 to April 17th.

And when Ripple Music says “discount on everything” they mean everthing, including special collectors packages of Stone Axe I deluxe CD/DVD, vinyl and 7” single,  the new Heavy Ripples double 7” package, and the best-selling Poobah “Let Me In” double 12” LP.  In the store, you can also find classic non-Ripple albums from Ripple artists Stone Axe, Mos Generator, and JPT Scare Band.  All of which will get the additional RSD discount.

It’s all just Ripple’s way of saying thank you for allowing them to keep doing what they love, bringing the best music your way and putting the guts back into rock and roll!

"Ripple Music - a rising underground rock label." -- Sleazegrinder

RIPPLE MUSIC STORE



www.ripple-music.com

Chat with Stone Axe Live on Ripple Radio Before they Storm the Shores of Europe and the UK with New Tour and Deluxe CD/DVD Package



Classic rock preservationists Stone Axe have officially announced that they’re hitting the road through the UK, parts of Europe, and wrapping up the tour with a night at the illustrious Roadburn Festival in Tilburg, Holland! And before they hit the road, this is your chance to chat live on the air and in the Ripple chatroom with Stone Axe mainman, Tony Reed.

Tune into Ripple Radio (Live with Tony Reed), sign into the chatroom and chat directly with Tony Reed.  He'll join us on air Wednesday, March 23rd at 8:30pm (PST) and is welcoming the fans to fire off those nagging questions. Hit him with your queries about Stone Axe, Mos Generator, Wino, or any aspect of obscure '70's rock.  Type 'em in the chatroom and have 'em answered on the air. Doesn't get much better than that!

Then, starting on April 8th in Oxford, England and running through April 16th, Stone Axe will embark on their third tour to foreign soil with the aim of converting new ears to their sonic-brand of classic rock.  Better yet, this time they’ll be doing it in support of their first CD/DVD package. Scheduled for release on April 5th and in time for the tour, Stone Axe has put together a Deluxe Edition of their self-titled debut album. The CD portion of the package features eight bonus live tracks, while the DVD portion features more than 70 minutes of videos, interviews, and live footage! Released through Ripple Music, Stone Axe – Expanded Edition CD/DVD pre-order's are now available on the label's web site. www.ripple-music.com

Tour Dates:

8th April -The Wheatsheaf, Oxford (with Stubb, Trippy Wicked, Desert Storm)
9th April- The Unicorn, Camden, London, UK (with Stubb, Trippy Wicked, Grifter)
10th April- The Earl, Sheffield, UK (with Stubb, Trippy Wicked, Groan)
11th April- The Captains Rest, Glasgow (with Stubb, Trippy Wicked, Low Sonic Drift)
12th April- Asylum 2, Birmingham (with Stubb, Trippy Wicked, Alunah)
14th April- The Vortex, Siegen, Germany (with Stubb)
15th April- MTC, Cologne, Germany (with Stubb+more)
16th April- Roadburn Festival, Tilburg, Holland

Stone Axe has also contributed a song to the Heavy Ripples double vinyl 7” compilation that will also feature three other acts that have put their own unique spin on the sounds from a by-gone 70’s era, showing that rock n’ roll hasn’t died, but simply has gotten better! The compilation record will include tracks from the UK blues-based bike rockers Grifter, Brooklyn-based stoner-fied punks Mighty High, and New England’s southern-rock-tinged Sun Gods In Exile (on loan from incomparable Small Stone Records). The record will be officially released on April 19th to a world-wide audience!


Excellent Interview with Tony Reed of Stone Axe from Cosmic Lava


From our good friends at Cosmic Lava, a kick-ass interview with Tony Reed and all things heavy rock!!

Now, the wait is over: STONE AXE will finally be on tour in Europe for the first time in April 2011. Reason enough for me to do another interview with guitarist Tony Reed. Strictly speaking, this is our third virtual conversation, which clearly implicated that I have a strong preference for this U.S. band. This is partly the result of the fact that STONE AXE are masters of their disciplines, which is the blues-based heavy rock of the 1970's. In doing so, they target the legendary British bands from this period and prioritize tradition over innovation, which in this case is not at all a derogatory term. They master their craft to such an degree that makes innovation dispensable. It is obvious that their music comes from the heart and that it's not an idea born from the wish to be rich and famous. Although actually STONE AXE really deserve to earn some more bucks, but that's a different topic. Now it was more important to answer my questionnaire on other subjects. These include, of course, topics such as the upcoming tour, the re-release of the first album via Ripple Music as well as the latest news about Blood From The Sun and Tony's other band, Mos Generator. And anyone who knows him will know he's a huge fan of obscure heavy rock bands from the 70's. Needless to say that it was inevitable, therefore, to lose a couple of words for this purpose.

Next month, STONE AXE will be on tour in Europe for the first time. It's a premiere for the band but not for you, because you've been already here with Mos Generator in 2008. Are you excited about the upcoming tour and about the fact that you have the possibility to return to Europe with your "new" band? 
 
It's always exciting to get out on the road. We've been doing some good roadwork for almost 2 years and I feel like we are ready to take the live show to the UK and Europe. The roots of our music are primarily based on late 60s early 70s British rock bands so it will be great for us just to be here and play music regardless of the attendance of the shows.

I was a little bit surprised at how short the tour is. What is the reason for this? Jobs and/or family?


You hit it exactly Klaus. We'll make the best of the time we do have.

You will also play at the Roadburn Festival. How did that come about? 
 
Our first single and album were released in Europe on Roadburn and we couldn't do the festival last but Walter was kind enough to have us this year. We are very honored to have been asked.

As far as I remember, it was planned first to come over to Europe in 2010. Why did that not happen, or am I wrong? 
 
We were working on a tour with DEXTER JONES' CIRCUS ORCHESTRA but the booking wasn't getting done quick enough and we backed out. Good thing we did because it never happen. I would still like to do some touring with Dexter Jones.

Do you rehearse more frequently before going on tour? 
 
We have a lot of gigs before we leave so we use the gigs as a chance to brush up on the songs we don't play often. We are also adding some songs we have never played.

That's pretty cool. What can people expect from a STONE AXE live show? 
 
We like to move very quickly in the set and we don't use setlists. I just call out the songs I feel will make the set flow good and that I think the crowd might like. You never know what they are going to be like until you get in front of them. We keep it high energy & fun. Always gotta be having a good time.

A few days ago I received the deluxe edition of STONE AXE's first album from Ripple Music. To make it short: It's a superb package and the bonus tracks as well as the DVD are more than just a great bonus. When was the idea born of re-releasing that first album and what was the reason behind your decision? I wonder because the original album has been released only two years ago.
 
I can't remember if it was our label's (Ripple Music) or our idea but it sounded cool to both of us and because 'Stone Axe I' wasn't released in the States. This was a good chance to do so. Ripple also reissued 'Stone Axe I' on LP.

There's one chapter on the DVD titled 'Beat Club' Sessions. As the title suggests the footage looks as if it has been filmed in 1971 at the legendary German Beat Club. Who came up with the idea for that?
 
There is a theater in our town that our friend owns and I knew it would be the perfect place to do something like this. So we brought in the gear and some recording equipment and did the setup, recording and tear down in about 3 hours. I think it turned out great and the performances were good. They were supposed to be in color but the cameras had different settings and in editing we couldn't get the colors to look right between cameras. I wanted it to look like the inside cover of the first URIAH HEEP album. Black & white is great as well.

As much as I dig your studio recordings - the bonus live tracks on the CD clearly show that STONE AXE is born for the stage. Of course, the same applies to the 74-minutes DVD. What's your view on this and what do you prefer, live or studio? 
 
I think I enjoy the studio better. You have so much more control over things in the studio, but, there's nothing like a smokin' live set when it really feels good and everybody is jiving.

It's not the first time that you've worked together with Todd and John of Ripple Music. You were also involved in the official re-release of Poobah's 'Let Me In' album. Due to your interest and love for 1970's heavy rock I wasn't surprised to see your name in the booklet. Please, tell us more about the whole thing and how you get in contact with Poobah and Ripple Music.
 
Todd Severin from Ripple Effect had been reviewing Mos Generator records over the years and been a loyal supporter of the rock cause. When I had talked to Woody from MIGHTY HIGH about doing a split 7", he contact Todd who was just starting the label Ripple Music. Todd and John Rancik decided that we would take a chance on us and that 7" became the first Ripple Music vinyl release. I have since became part of the Ripple 'family'. I do the restoration and most of the mastering for Ripple releases. My first job was restoration and mastering for the Poobah album. That was a lot of fun for me because I got to get my hand (and ears) on these 30+ year old recordings and clean them up. It was good fun for me. Right now I am getting ready to mix the new IRON CLAW album and master the new GRIFTER album.

Excellent news! Speaking of less-known heavy bands from the 1970's, you have a good relationship to some of the ex-members of Necromandus. Last year, I read somewhere that you were working on lost studio recordings and previously unreleased live recordings of Necromandus. What is the actual situation? Are there any plans for a release?
 
I've been on a scavenger hunt for lost Necromandus material. With the help of Buzz Elliot in the UK I have managed to get my hands on some unreleased studio tracks and 4 complete live shows from 1972 with unreleased original songs. I've spent many hours restoring these recordings and the good news is Buzz has found some first generation cassettes of a few of these shows. I would like highlights of these recordings to be released and if everything comes together and sounds good, they will be. To me, Necromandus was the most promising hard rock of the early 1970s. 'Orexis of Death' is a masterpiece and these live recordings show the power of the band live.

You're right, Tony. But back to your band. Why is it that STONE AXE change record labels so often? Is it a special kind of band philosophy? 
 
When we write new material I just offer it to record labels and who ever wants it gets it. I'm pretty set with Ripple Music now but we are given the blessing to lend out songs for singles and compilations and we always have extra songs for things like that.

What is STONE AXE's future? What are your plans when you return from the European tour? 
 
After we get back we are playing Doom In June in Las Vegas and a motorcycle rally in Fort Worth, TX. Then we'll slow down live and I'll start writing for the third STONE AXE album and continue my work on the next MOS GENERATOR, BLOOD OF THE SUN and a country rock album.

It's good that you mention Blood Of The Sun. I was pleased to hear that you are also involved in the upcoming fourth album of Blood Of The Sun. What exactly are you doing? Tell us more about your input.
 
I went down to Texas to set up a studio and record the next album and ended up playing all of the guitars on it. It's coming together to sound like the kind of BOTS album I always wanted to hear. It will have Derek St. Holmes on vocals again.

Finally, I would like to refer very briefly about Mos Generator. Are you planning to record a new album and what are you up to?
 
This year Ripple is re-issueing the long out of print 1st Mos Generator album with bonus stuff on CD and LP and right now we are woring on a new album with no scheduled end date. We are just working on it until we feel it's done. No live shows in the works, just working on songs and recording.

That's all! Thanks for your answers. It always a pleasure to do an interview with you. Hope to see you and STONE AXE next month.
 
www.stoneaxeband.com

Stone Axe Storm the Shores of Europe and UK with New Tour and Deluxe CD/DVD Package




Classic rock preservationists Stone Axe have officially announced that they’re hitting the road through the UK, parts of Europe, and wrapping up the tour with a night at the illustrious Roadburn Festival in Tilburg, Holland! Starting on April 8th in Oxford, England and running through April 16th, this will mark the third time that the band has ventured to foreign soil with the aim of converting new ears to their sonic-brand of classic rock, but this time they’ll be doing it in support of their first CD/DVD package.
Scheduled for release on April 5th and in time for the tour, Stone Axe has put together a Deluxe Edition of their self-titled debut album. The CD portion of the package features eight bonus live tracks, while the DVD portion features more than 70 minutes of videos, interviews, and live footage! Released through Ripple Music, Stone Axe – Expanded Edition CD/DVD will be available for pre-order beginning February 18st, 2011 on the label's web site. www.ripple-music.com

Tour Dates:
8th April -The Wheatsheaf, Oxford (with Stubb, Trippy Wicked, Desert Storm)
9th April- The Unicorn, Camden, London, UK (with Stubb, Trippy Wicked, Grifter)
10th April- The Earl, Sheffield, UK (with Stubb, Trippy Wicked, Groan)
11th April- The Captains Rest, Glasgow (with Stubb, Trippy Wicked, Low Sonic Drift)
12th April- Asylum 2, Birmingham (with Stubb, Trippy Wicked, Alunah)
14th April- The Vortex, Siegen, Germany (with Stubb)
15th April- MTC, Cologne, Germany (with Stubb+more)
16th April- Roadburn Festival, Tilburg, Holland
Stone Axe has also contributed a song to the Heavy Ripples double vinyl 7” compilation that will also feature three other acts that have put their own unique spin on the sounds from a by-gone 70’s era, showing that rock n’ roll hasn’t died, but simply has gotten better! The compilation record will include tracks from the UK blues-based bike rockers Grifter, Brooklyn-based stoner-fied punks Mighty High, and New England’s southern-rock-tinged Sun Gods In Exile (on loan from incomparable Small Stone Records). The record will be officially released on April 19th to a world-wide audience!


www.
stoneaxeband.com

www.ripple-music.com

Roadsaw - S/T


This is an album that had to be made, and Roadsaw was just the band to do it.

Let me explain.  Every week it seems, around the Ripple HQ, Pope and I get into a fevered conversation about how America is poised to embrace real rock again.  With the schmaltz producers running out of retreads to retread, it seems that there’s a burning for something honest, something raw, something real.  Along those lines,  Small Stone, with its stellar line-up of bands like Lo-Pan, Sun Gods in Exile, and Suplecs, leads the way, and others like Hydro-Phonics, Tee-Pee, and even our own label, Ripple Music, with bands like Stone Axe, Grifter, Mighty High and Iron Claw, are poised and ready to pounce at a moment’s notice to unleash a fury of real rock onto the world.  Satisfying the hunger, feeding the craving.

But before that can happen, we need a bridge album.  An album fully steeped in the heaviness, grittiness, and muscle of real rock, but crafted with such a perfect eye for melody and--dare I say it—pop hooks, that it can capture the general public’s ears.  Threatening and, oh so violent, but deep in its melody, refined in its choruses, and smooth as an iced road in a Boston winter.  Dirty, but clean enough to actually break onto the airwaves.

Roadsaw have delivered such an album, and it’s a corker.

I was a big fan of See You In Hell, their 2008 album which I immediately placed on to my best of list for that year.  Expect to find the self-titled Roadsaw on this year’s list. 

Don’t let any mention of that awful P-word (pop) dissuade you from spinning this beast.  And I do mean beast.  Roadsaw hangs deep in the water of heavy like an overburdened barge weighed down under the immensity of its riffs.  Fuzz, power, gruff, it’s all here.  But so is something else.  I don't mean "pop" in the sense of sell-out.  Heaven forbid!  I mean "pop" in the sense of a killer accessibility, pop in the sense that you could play this album for someone who isn't already addicted to heavy rock and within moments you could get his head doing the man nod and her ass doing the feminine groove.

Since their last album, the cats of Roadsaw (founding members, Tim Catz (bass) and Craig Riggs (vocals), and guitarist Ian Ross and drummer Jeremy Hemond (also of Cortez and Black Thai) have matured as straight-forward songwriters in some sort of exponential way, allowing space to creep into their songs, passages of subtlety, even moments of jazzy breeziness, all layer upon some seriously catchy riffs and H1N1-infectious melodies.   The whole package just screams "we’re still heavy folks, fuck we’re heavy, but we’re so much more than that."

With rock radio caught in a chasing-their-own-tailspin, salivating at the return of Velvet Revolver, or AudioslaveCreedAlterBridgeNickleBoringSomething, this is the album that should creep into the playlists.  Like a midnight stalker, sneaking into the bedroom of the unsuspecting, Roadsaw should insinuate itself onto the airwaves.  Get the nation rocking again.

From the first cut, we’re off and running.  “Dead and Buried,” features a simply filthy guitar tone with its edges totally obscured by fuzz. Yet, somehow, it’s still clean at its heart.  The riff repeats and builds on itself in a fashion not too dissimilar from “Daytripper,” by the Beatles . . .  er . . . that is if the Beatles never shaved, tattooed skulls on their deltoids, and draped their brass-knuckled fingers around the handles of a Harley.  Still, the point is there.  As heavy as that riff is, it’s still totally accessible.  Add to that a thick, but melodic vocal performance by Riggs, and a chorus that should have every trucker singing as they head out I-10 and we got ourselves a candidate for our first heavy radio hit.   “Weight in Gold,” fuzzes the tone even more and ups the adrenaline a thousand fold, coming at you like some Feurezeug attack.  This is a fuzz-punk assault all the way through the impossibly scuzzed Ross guitar solo to its defining moment, 2:36 in.  Sudden tempo change, bass and drum lock into a groove that wouldn’t be out of place in a late night underground beat club, while the guitar squeaks through a tastefully frenetic flurry.  Then the riff heaviness comes back, leading right into the monster blitz of “Thinking of Me,” and again, we’re off and running.  Heavy? Oh, yeah.  But clear enough that this cut should appeal to anyone listening to The Boneyard on XM and wanting to hear something new.  Once again, Riggs outdoes himself on the vocal here, keeping it thick-throated, but accessible. 

“Long in the Tooth,” follows suit, marrying devastatingly heavy riffs, panzer-division bass, and Stuka attack drumming with a melody sweet enough to suck in the ears of the uninitiated.  Add a cool southern swagger to the vocal and we got radio hit number 2.  My choice for number 3 is “The Getaway,” which rides a frenetic riff straight down the throat of its knock-em-out chorus. 

Sure, some fans of only the heaviest and skuzziest history of Roadsaw might feel that the album is a touch too polished.  The impossibly slow and epic, “Electric Heaven,” may appease them a touch, with its Clutch-meets Sabbath bad trip vibe.  But this album isn’t about appeasing the old fans.  It’s about breaking ground with the new ones.  Keeping the past alive while screaming and kicking the masses in the teeth.   It’s about breaking new ground in the acceptance of the heavy and tilting the planetary axis a bit towards the equator of real rock.

It’s an album that had to be made, and Roadsaw was just the band to do it.

--Racer

www.smallstone.com

Ripple Music: 2011 Releases - Great Stuff in the Works

Ripple Music: 2011 Releases

In light of the success that we’ve seen here at Ripple Music over the last year, we wanted to look into our crystal balls and take a stab at what we see for the coming year, and then pass these findings on to you . . . the ever vigilant fan of heavy music! 2010 saw the label release seven titles, and 2011 is promising an even greater growth. Since the first release in June, Ripple Music has welcomed two additional acts to the family and has plotted out these follow up releases:

Scheduled for release in early April, we’re looking at a deluxe CD re-issue of the Stone Axe debut album with bonus live material, and a companion DVD featuring promotional videos and tons of live footage highlighting the bands epic performances. This re-issue will be released in conjunction with the bands trek across the Atlantic to tour the UK and parts of Europe that will culminate with their appearance at 2011’s Roadburn Festival in Holland.

While we’re on the topic of Stone Axe, word has come down from Tony Reed that the band is hammering away at material for a new album. No date has been set on the release, though initial discussions have us looking at a late summer street date.

Also featuring Stone Axe, we’ll be releasing the Heavy Ripples compilation double 7”, which will include the return of Brooklyn-based stoner-fied punks Mighty High, the introduction of blues-based retro rockers from the UK, Grifter, and on loan from the incomparable Small Stone Records, Sun Gods In Exile. The 7” will be packaged in a double gatefold jacket featuring the glorious artistic touch of Wayne Braino Bjerke. Expect to see this monstrous beast of sonic debauchery in April.

Speaking of Grifter, the band is partnering up with Ripple Music to release their upcoming album! The band is currently putting the wraps on the recording of new material and both parties are shooting to have the CD (vinyl?) released in May. A UK tour and potential U.S. tour are in the works in support of the as of yet unnamed album, though odds are, it will probably be self-titled.

Being that we talk with Tony Reed on a near daily basis, we have some information pertaining to another Reed project that has us rejoicing in our sleep. We’re looking at re-releasing the first Mos Generator album as a deluxe 10 year anniversary edition. The details are still being worked out in regards to time frame and content, but much like the deluxe Stone Axe CD, expect there to be some great bonus material to be included in this package.

On the doom metal front, is arm locked with Venomin James to re-issue their debut album, Left Hand Man, on vinyl! The album will be specifically mastered for the vinyl format and will include unreleased/live bonus material. Left Hand Man will be available in the first half of the year.

Poobah will be returning in 2011 with a brand new studio album entitled Peace Farmers. Originally self released by Jim Gustafson to a limited run of less than 500 copies, Peace Farmers acts as a great follow up to the re-issue of Let Me In and features a couple of updated renditions of some Poobah classics. Initially, Peace Farmers will be released on CD only, but as the case always seems to be, the door is open to press limited runs of vinyl to accompany the CD edition.

Santa Barbara’s melodic hard rockers Tripdavon are currently working on additional bonus tracks for the deluxe re-release of their latest album Sketches From Silence. As with many of the releases for the year, the time table isn’t set in stone, though we suspect that the album will be ready for mass consumption towards the end of summer.

Finally, Ripple Music will release the latest offering from Scotland’s Iron Claw. The as of yet titled full length album is comprised of all brand new material and includes the vocal talents of new member Gordon Brown. This will initially be a CD only release, but much like the Poobah release, there’s a great chance that it will also see a vinyl edition. Tony Reed is scheduled to master the album once it’s complete and should be available sometime mid-year.

That’s it for all of the major releases for the time being, though as things go around here, that could all change in a moment’s notice and the releases may double in quantity. Also, keep in mind, this doesn’t take into consideration any of the 7” single projects that are in the works, and possibly some big news for Ogre fans . . . so keep an ear out for that news as it becomes available.

Cheers!

Ripple News - History Repeats Itself: Poobah and JPT Scare Band Together Again on the Same Record Label and on the Air at WFMU

In the early 1990’s a small record label broke out of San Antonio, Monster Records, specializing in limited release/collector’s vinyl from underground 1970’s hard rock bands.  For several years, Monster churned out an impressive array of steaming protometal, adding such bands as Poobah, JPT Scare Band, Truth and Janey, Hawkwind, and Manilla Road to their roster.  But as so often happens in the music business, time passed, tastes changed and Monster Records ceased to exist.

Fast forward 20 years, and the sands of the hourglass churn backwards in time.  Suddenly metal legends, Youngstown Ohio’s Poobah, and Kansas City’s JPT Scare Band, find themselves as popular as ever and stunningly, back on the same record label.  This time it’s Ripple Music filling the void, providing the world with the tasty underground protometal that they crave.

Within a span of two months, both JPT Scare Band and Poobah released classic works with Ripple Music, JPT Scare Band’s Acid Blues is the White Man’s Burden, and Poobah’s 1972 seminal debut, Let Me In.  Both releases hit the world in eye-opening, two-tone double LP packages with gatefold covers as well as CD formats.  Both packed with rare pictures, notes, and bonus tracks.

Jim Gustafson, the mastermind behind Poobah, sums it up. “It’s cool that Poobah ended up with JPT again on the same label, only better this time. I saved these tapes for decades, looking for the right time and place to do this, and now it has happened.”

And 40 years after originally forming, both bands find themselves cranking out their music to a legion of fans new and old.  WFMU in New York has both bands on frequent rotation, spreading the protometal, acid rock gospel to hungry, waiting ears.

“It’s a wonderful bit of synchronicity,” says JPT Scare Band drummer, Jeff Littrell, “that when we finally get back on a label again, the moguls at Ripple Music have also signed our old label mates, Poobah.  Déjà vu all over again!  JPT Scare Band and Poobah ripping faces off on the same label in the 21st Century.”

Ripple Music plans to keep bringing on the ballsy retro-metal with future releases by Scottish protometal icons, Iron Claw, as well as modern purveyors following the raw, sonic blueprint, Stone Axe, Mos Generator, Grifter, Mighty High, and Venomin James.

As Ripple founders Todd Severin and John Rancik say, “Ripple Music exists to bring the guts back to rock and roll!”

buy here:  Poobah   JPT Scare Band



Stone Axe Signs With Ripple Music For Future Releases


Fresh off the success of their first collaboration, a 7" split single between Stone Axe and Mighty High, multi-instrumentalist and rock preservationist T. Dallas Reed has signed with Ripple Music to re-release the critically praised Stone Axe self-titled debut on both vinyl and deluxe CD packages. Originally released in 2009, Stone Axe lit the message boards on fire with it's ballsy, retro, bluesy sound, bringing back the classic sound of rock that so many were craving. Now set to be gloriously re-unleashed, the vinyl edition of the album includes an extended jam of one of the original tunes and a full lyric sheet. The LP version will hit the streets on September 7th.

The CD edition of the album, which will see the light of day later in the year, will be a deluxe package with almost 30 minutes of bonus live tracks and a DVD of original promotional videos, live performances, and bonus footage from the recording of the album. A true panacea for the Stone Axe fans!






"Stone Axe are quietly becoming one of the most seminal “new classic” rock bands on the scene.” – Sleazegrinder, Classic Rock Magazine


But, that's not all. Now signed to Ripple Music, T. Dallas Reed has opened his ever expansive vault of recorded material to Ripple Music. In 2011, Ripple Music will release a mind-blowing third Stone Axe full length LP, and a re-release of the first Mos Generator LP to celebrate the ten-year anniversary of the debut of this legendary stoner rock band. This Mos Generator LP will be laden with bonus material and live performances.

Look for a surprise Stone Axe EP to come out later this year as well!

www.stoneaxeband.com

www.ripple-music.com



"They may very well get lumped into the stoner rock category. That wouldn't do them justice though. These guys lug out the massive sounds and they begin spinning them around, manipulating and pulling us with them.” – Heavy Metal Time Machine

Ripple Music Named Label of the Month by the Next Big Thing Network


We're pleased, and quite a bit flattered, to announce that Ripple Music was recognized as the "Label of the Month" across the Next Big Thing Network! Along with front page exposure, a number of the bands on the Ripple roster have been featured in review and on the networks podcasts. Not too shabby for a label with such humble beginnings!

Within a year of creating a solid business foundation and working long days and nights to streamline the production and supply of product, label founders John Rancik and Todd Severin have begun to see the fruits of their labors taking shape. On June 22nd, the label released their first album, JPT Scare Band's Acid Blues is the White Man's Burden, and were immediately inundated with orders from across the globe. Shortly after, Kevin Beadles (You Can't Argue With Water) and Fen (Trails Out of Gloom) were released, both receiving glowing reviews and critical-acclaim, and essentially completing the "first wave" of Ripple releases.

While the "first wave" was being managed, a project fell into the laps of label in the form of a split single featuring Stone Axe and Mighty High, which created a flurry of press, positive reviews, and internet banter. This project cemented a working relationship with T. Dallas Reed (Stone Axe/Mos Generator) who has now opened his vault of music to the Ripple Music, including the re-release of the first Stone Axe album on vinyl, as well as deluxe CD. Reed also took part in the labels fifth release, the re-issue of Poobah's 1972 debut LP Let Me In, by re-mastering the original six tracks along with twelve additional tracks that never made the original cut.

This initial success has brought on partnerships with a couple of U.S. and European distributors, namely Netherlands-based Clear Spot International, who is working feverishly to support Ripple Music and the great releases on the labels roster. So far, catalog releases have been sent to Germany, Italy, Australia, Japan, Sweden, Austria, and the UK, to name just a few countries.

Now, with Wave 1a nearing completion, Severin and Rancik are concentrating on the second wave of releases, which includes the third full length album from the Americana/Rock trio, Modern Day Moonshine (Refuge), the re-release of Sketches From Silence from the Santa Barbara-based rockers Tripdavon, and the first new release in over forty years from proto-metal overlords, Iron Claw. Tack on other projects such as a new Stone Axe LP, a re-release of the first Mos Generator album with bonus material, a new Poobah album, as well as a number of single and compilation releases, 2011 is going to be a monstrous year for Ripple Music.





Follow all the Ripple Music Fun at www.ripple-music.com
and on Facebook


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A Sunday Conversation with Grifter

They’re called Grifter, but they were almost called Simon’s Fuck Hammer. Let’s hope they use that title somewhere down the line, it’s too good to throw out. Grifter are your new favorite heavy rock trio from Plymouth, England. They play it loud, proud, lean and mean. Fans of Cactus, Humble Pie, ZZ Top, Clutch and Firebird will love these guys. They boogie hard, have a great sense of humor and are fueled by Döner kebabs (aka “death wrapped in pitta bread”). Guitarist/shooter Ollie was nice enough to sit through a rigorous Ripple questioning. Check out Grifter at www.myspace.com/grifterrock.


What made you decide to record the new EP completely live in the studio? How many takes before you nailed a master?


The plan really was to just demo up a bunch of songs we had without really having any idea what to do with them. We'd kind of done the whole multi-tracking thing on the first EP so decided to just go in and nail everything live. We're a three piece, that's how the songs were written and that's how they sound best, plus we wanted to get that energy and vibe you get from playing live. It turns out that the recordings came out better than we expected so decided to approach Catacomb records about a release...and they said yes!!! As for takes...some of the tunes were nailed pretty quickly in one or two takes but some were a nightmare. If you listen to "I Jesus" about 3 seconds after the track finishes there's a huge exhalation of breath then a stream of profanity!!! We tried that track so many times and each time I screwed up the middle bit. On the final take I got past the middle bit but there was a telepathic air in the room that said "fuck up now and we kill you!!!" The swearing was the pure relief at nailing it...but we did get a pretty charged take so it was worth it in the end.

What kind of gear did you use in the studio? Was it different from your live set up?

Foz used his normal kit and Phil had his Ampeg SVT blazing away in one room as he likes to stand in front of it and feel his clothing move. The only difference for me is that I usually use one half stack...a Marshall DSL 50...but on this I knew I wanted a stereo pan on the guitars so I borrowed a second cab and split my signal into the DSL and into an old 1978 Marshall JMP50 head cranked right up then mic'd them both. In the mix the JMP sounded so sweet I'm hoping to use it for the next recording. We generally have pretty good gear so no need to change much...plus we wanted to sound like Grifter so we kept the gear pretty straight. We may play with things a little on the next recording.

I like the title of the EP – The Simplicity Of The Riff Is Key. Did the other guys try and title it Simplicity Of The Beat Is Key or Simplicity Of The Bass Line Is Key?

That'd never happen. Ideally Foz would be in a prog band and Phil would play jazz funk so for them the more complicated the better!!!! Hahaha!!! Nah, I think that was a phrase that one of us came up with at rehearsal...possibly Foz...and it stuck. All of us like the power of a simple riff and a good straight ahead hammering beat!!!

You have released a couple of EP’s. What appeals to you about the format other than it’s cheaper to record fewer songs?


I do like EPs, they don't outstay their welcome and it's good to give people a taster of the band to tease them. For the first EP, High Unholy Mighty Rollin in 2008 on Fury 76 Records they only offered us the chance to do an EP...which was fine as they were a new label and we didn't want to blow all our songs on an album not knowing if they'd do a good job for us. Turns out we were right as there wasn't a whole lot of promotion done!!! So that wasn't our choice to do an EP. For the new EP Catacomb had the full 10 songs from the live session and asked if we'd like to do an album but we figured we'd rather pick the four best songs and do another EP rather than maybe use some versions of songs where we felt we may be able to do better versions down the line. Now though we have a killer selection of songs and feel we're ready to go in and lay down an album. We've done our apprenticeship, time for the real deal!!!

How did you come up with the band name? Were you aware of the Memphis band The Grifters from the 1990’s? Or Jim Thompson’s book The Grifters (1963) or the movie they made from it in 1990?


I'd seen the film but never heard of the band to be honest. The name actually came from our drummer (again!!!). When we were kids we used to have a really popular push bike called a Grifter, kind of like a BMX but better, and Foz was a real big fan of them so one day he suggested it. Up to that point we'd come up with a few names...Greedo, Teet and Simon's Fuck Hammer but Grifter just struck a chord. I don't think any of us were really aware of it being used as a term for a con man...but that's also pretty cool I guess.

For someone who’s never heard Grifter before, how would you describe it to them?


Someone asked Phil right before a gig what sort of music we play and he just replied "rock and roll". That's what it all boils down to. We all dig the blues, we all dig Sabbath, we all dig AC/DC, we all dig Clutch but we all have disparate tastes. I'm a huge 70's freak and I love doom, Phil loves some weird angular stuff, Foz loves old school ska and reggae. Between us we listen to most stuff but it distills in us as heavy, blues based, boozed up rock and roll!!!

Grifter formed in 2003. How has the band evolved since then (musically, lyrically, songwriting, etc)?


When we started we actually had a different singer who lasted two months before I took over the vocals...that's truly when the band were born. In the early days our songs were longer, more overtly complex in structure and there was more of a doom element but I think we kind of gravitated to the more rocking and grooved up side of things as it has more soul and more of a vibe for us. Our progression has been pretty natural. The fact that we play songs in our set that are five years old and sit right alongside our newer stuff pretty much says that we've hit our stride now and are running with it. It's worked for AC/DC for over 35 years!!!

Drummer Foz is credited with van driving on your myspace page. Does he resent not being able to drink after shows? Is everyone else a good band mate and take a turn behind the wheel?

Foz has a matt black van called the Swollen Goat which he has fully equipped for us as a tour van to carry the gear and sleep in. He loves the van and won't let any of the rest of us drive it...and we've offered. Foz actually seems cool with doing the driving. That's not to say he doesn't let off steam a little when we play a home town gig or someone else drives like on the recent tour, but he still keeps himself together to play the gig. Plus he smokes weed anyway!!!!

What’s the crowd like at your shows? Does anyone under 40 understand your music?


Over here it's hard work to get anyone into any gig. Weedeater only pulled about 50 people in our de facto home town of Plymouth!!! I have to say though we seem to do ok, crowds may not be huge stadium fillers but they're small and appreciative. We seem to get folks from across the board...and we even get young chicks dancing which is awesome. Most folk may not be so aware of our musical heritage but we seriously kick it live so people either dig the aggression we have live, the grooves or the sense of humour. We're there to have fun and we want everyone else to join in so we get them shouting, clapping and get them involved...with us you get a rock and roll show, not musical therapy!!!

You toured earlier this year with the Sun Gods In Exile from Maine. Did they complain all the time about the lack of good maple syrup in the UK?


Oh those guys were too awesome for words. We loved them and were gutted when the tour ended. We actually wanted to find a way to legally adopt them as brothers!!!. They didn't complain about the lack of maple syrup...not after we introduced them to Döner kebabs (spiced mushed up and reformed lamb served in a pitta bread with salad, chili and garlic sauce...they can only be eaten when drunk!!!). Tony did complain about the lack of iced Bud though.


How did that tour come about? Was it a good time? Would you do it again?


I believe they got in touch with a buddy of ours, Jack from the band Stubb who also runs a multi media project called Mindzap. Jack immediately thought both bands would make a cool pairing and set to work arranging it. He'd never organised a tour before but he pulled it together with a little help from myself and the guys from Alunah who played a few of the dates with us. Would we do it again? In a heartbeat...it was the most fun ever. In fact the plan is to head over when we've saved the air fares and hit the States to do some shows down the East Coast with them.

You and bassist Phil are both parents. How difficult is it to find the time to be in a band on top of work and family life? How thrilled are your spouses to be married to guys with such an expensive and time consuming hobby?

Good question. We have had to make some sacrifices. We have to keep some of our holiday from work free for family stuff and we have to keep certain dates free like kids' birthdays and stuff like that so we have to be a little more selective over the gigs we do play but other than that it's all pretty easy and cool. We love our families to bits but we have a real need to do this. This is our release, our time and without it we start crawling up the walls, getting really angsty and agitated. This is where we let off steam. Fortunately Phil and I both have awesome wives and Foz has an awesome girlfriend that all love an support the band and understand that it's better for everyone for us to do this and be happy than not and be fucking evil to live with. It also helps that we're such close friends and all the ladies get on so well as well, it's kind of like a weird family. At the end of the day some guys go off on fishing trips for a weekend, go snow boarding, banging hookers in Vegas...this is our hobby just the same so they're cool with it. At least we don't bang hookers in Vegas!!! (We haven't been to Vegas yet though!!!)

What was the first music that really excited you? And how long after that did you pick up an instrument?


For me growing up my house was always full of music and my dad had a really diverse and awesome taste in music. He's a massive Rolling Stones fan and loves the old school blues guys so Sunday mornings and in the car he'd always be playing this amazing stuff that seeped into me I suppose. He'd also play old school 60's ska like Prince Buster and 70's soul. His record collection is incredible!!! I guess then my earliest stuff would have been the Stones then maybe The Police and Adam and the Ants when I was around 10. It was all guitar based from the start then one day I saw a Status Quo concert on the TV when I was 12 and was hooked. My dad bought me an album next, then it was a slippery slope into heavier and heavier stuff but I've never lost the love for the Stones or the blues. I probably picked up a guitar around 10 as well as my teacher at school played and started a guitar club. My dad had an old acoustic so I went along...haven't looked back since.


Who are some of your biggest musical inspirations? Favorite albums?


For me, ever since I first heard the opening chords of "Neon Knights" from Sabbath's Live Evil album when I was 13 it's been Sabbath. They're pretty much the pinnacle for me. The rest of my influences? I'd say AC/DC, Motorhead, The Who, The Stones, Led Zeppelin, Lynyrd Skynyrd, ZZ Top, Clutch, Aerosmith, Mountain, Cactus, Humble Pie...you get the picture. Favourite albums? The first 6 Sabbath albums, any AC/DC album with Bon Scott, Overkill and No Sleep Til Hammersmith by Motorhead, Live At Leeds and Who's Next by The Who, Nothing's Shocking by Jane's Addiction, Exile On Main Street by the Stones, Clutch's self titled, Humble Pie Rocking the Filmore...the list could go on forever.

How’s your hearing these days?


Pardon?

What current bands do you find inspiring?


The Sun Gods in Exile album kicks my ass...and even my wife and dad love it. Stone Axe are just an incredible band...so organic and natural...they sound like a band even though Tony Reed does it all himself virtually. That is one awesomely talented dude. We have some very cool bands over here in the UK...Domes of Silence play pretty awesome stoner, like QOTSA on steroids with attitude. Suns of Thunder are amazing from Wales. Medamaki from Evesham are one of the best live bands I've seen on the underground circuit but the laziest bunch of fuckers going!!! Most of what I listen to is pretty old so most of the current bands I dig sound pretty old. Mighty High are pretty good too I guess ;-)

How do you feel about people posting your music for free on blogs?


I would prefer it if they bought the CDs as it's that revenue that keeps us able to get out and gig and record but I'd prefer it even more if people just heard us so I can't complain. I'm just as happy of someone gets in touch to say they like the band from hearing it on a blog as on a CD...let's just say I'd rather 1000 people heard it for free than 100 people paid for it!!!

Vinyl, CD, or digital? What's your personal format of choice?

I'm old school, I love vinyl. The buzz I used to get as a kid from searching for an album, sometimes for weeks, then finding it...or finding an old second hand copy of some obscure 70s thing...it was a magical feeling that you don't get nowadays. That said, I'm on the move a lot, drive a 90 minute round trip to work, listen to music at work on my headphones...etc so digital may not be my preferred choice but it's the most convenient. (I hang my head in shame!!!)

Ever had any good Spinal Tap moments on stage?

A combination of beer and rocking out has seen Phil fall off stage a couple of time. He's never gone ass over tit and always stayed upright and playing but it's been a close call. Numerous times I've made myself dizzy from banging the head too much...never lost it though!!! I nearly fell through the stage at one gig as I didn't realise the section of stage at the front was little more than a box...still held it together though. There have been a lot of nearly moments. I have learned I can't drink wine before playing though...one time I did I forgot a bunch of stuff and introduced one song we'd just played as the next song!!! Guinness or Jack Daniels all the way for me now!!!

What’s next for Grifter?

We're constantly on the lookout for gigs...it's a full time job getting gigs, promoting the band, etc. The next plan is to record a bunch of tracks for the album and a few extra tracks for other stuff (an exciting vinyl proposition that I'm sure will be made known in the fullness of time!!!). Then we'll hopefully get a cool label to put the album out for us. As I said we also aim to hit the States with Sun Gods in Exile at some point and we'd like to get over to Europe if we can...maybe France or Italy...or Germany...or anywhere really!!! We're just going to keep plugging away, writing, playing live wherever we can and getting our music out there wherever and however we can.

Thanks for taking the time to do this interview. Anything you’d like to add?


Cheers Woody for taking the time to come up with some really cool questions and a big thanks to Ripple Music for the support, it's very much appreciated. Come check out our stuff, drop us a line, say hi, buy a CD, download some tunes, come to a gig, offer us a gig, offer us a record deal, buy us a drink (Guinness all round...cheers!!!). Check out the bands I mentioned before and...be good to each other!!!

Praise Pours in for the Stone Axe/Mighty High split 7" Single
























Ok, here's the conundrum.

We got on our hands one of the coolest pieces of split vinyl to come around in ages.  But we're much too shy to write about it ourselves, and we wouldn't want anyone to think we were illegally tooting our own horns on this release.  But we wanna spread the word.

So what we decided to do, was let others tell the story of how killer this split is.  So let's go--

Stone Axe/Mighty High Split 7"

"Impossible not to crack an illegal smile when you hear this.  Stone Axe are one of the best retro-metal acts around.  Kiss might've sounded this good if they'd learned to play their instruments.  There's no one better than Mighty High at making fun of wretched metal excess.  It's priceless."  -- Lucid Culture

"Stone Axe is pure old-school metal played with a power that is sadly rare these days.  Will leave you lusting for more if an ounce of rock and roll spirit throbs in your veins. Mighty High kick off a stoned punk squall that sounds like Queens of the Stone Age playing Rancid Covers.  Both tracks are well worth your time and money and it’s hard to imagine rock fans not wanting to track down at least one of the albums by these fantastic bands. Either way, with two bands of this quality on one release this is something of a must-have."-- Sonic Abuse

"Newcomers Ripple Music managed to get two highly explosive bands onto a 7".   Stone Axe's "Metal Damage" has me thinking of pre-Stained class Judas Priest, the kind of mid-1970's metal where band's took their time and built up the sound with a steady boil of activity. Mighty High's "Don't panic, It's Organic" is even better. The main riff is huge and dripping with 1970's fuzzed out goodness. This is the perfect tune for playing about two minutes after 5:00 on a Friday. Both bands deliver the goods on this album." -- Metal Mark, Heavy Metal Time Machine

"Ripple Music have a gem on their hands. An awesome set of tunes. Stone Axe delivers the goods once again.“Metal Damage” is a throw back to classic Judas Priest from the later 70′s to early 80′s. The best duo around to preserving music from the 70′s. Mighty High really rock with their contribution “Don’t Panic, It’s Organic,”a fast paced, almost punk-like rock song. Get yours today." -- The Soda Shop


Produced in amazingly limited supplies.  The only way to get this is to catch Stone Axe or Mighy High on tour, or get your copy at www.ripple-music.com