Tampilkan postingan dengan label small stone. Tampilkan semua postingan
Tampilkan postingan dengan label small stone. Tampilkan semua postingan

The Might Could - S/T


Truth in advertising is always a nice bonus and the debut album from The Might Could is a perfect example of it. The front cover is an homage to Blue Cheer’s Vincebus Eruptum with 4 ugly dudes instead of the Cheer’s 3. And one guy is wearing a Sun Gods In Exile hat. Before hearing a note I knew I was going to be all over this like 69 on a summer’s day.

Richmond, VA’s Might Could play straight ahead, no nonsense kick ass rock just like I expected. Fans of contemporary loud rock losers like Backwoods Payback, Roadsaw and the rest of the Small Stone roster probably already own this by now. After a few spins I definitely picked up a strong Blackfoot influence, especially on a slow song like “When The Spirits Take Control.” This one rivals Sun Gods In Exile’s “495” as the best “Highway Song” re-write in several decades. In addition to the Blackfoot influence, I also picked up a whiff of forgotten Louisville creeps Kinghorse. “Mad Dog Blues” uses their “whoa-oh-oh” Elvis/Danzig chorus style to great effect.

Their overall sound is flat out pissed off. Recorded, mixed and mastered in 3 days it’s obvious they went for the “set it and forget it” method of making a record. Most of the songs are pretty fast but won’t make you drive too far over the speed limit because you’ll be too busy banging on the steering wheel. The 2 guitars blend well into 1 big punch to the nose while the tight rhythm section knees you in the groin at the same time. Vocals are suitably gravelly and destined to get you funny looks from the John Mayer fan next to you at the red light.

Despite all the riffing frenzy, there are a few surprises to keep things interesting. “Let ‘Em Up Easy” starts with nice bluesy lap steel guitar playing before the rest of the band comes pummeling in. “The Widower” is a heavy dirge to counter balance the faster songs. The Might Could also win song title of the year award with the brilliant “I Don’t Even Like Pantera No More.” Excellent title aside, this might be the best song on the album.

Another winner from Small Stone and another excuse to spend too much money and call in sick to work the day after these guys blow through your town.

 --Woody


Buy here: Might Could

http://www.myspace.com/mightcouldrva

Gozu - Locust Season


So it turns out Gozu are named after a Japanese movie and not the character on the Flintstones. That was The Great Gazoo, but either way they got my attention. But what really got my attention was that drummer Barry Spillberg was in the mighty Wargasm from Boston. Man, I loved that band! Their first album was called Why Play Around and came out in 1988. A dude I knew who worked for their label (Profile Records) gave me an advance tape of it and I played the shit out of it. That tape is long gone but Locust Season is making up for it big time.

“Meth Cowboy” is a great album opener with a great title. Heavy but modern with a crushing 2 guitar assault from Marc Gaffney and Doug Sherman that doesn’t drown out the bass of Jay Cannava. Barry is still ripping it up on drums. Take a look at these guys. They’re not exactly youngsters but they are pounding the world like a battering ram. Marc also handles the vocals and has a powerful voice somewhere between Chris Cornell and Marc Bolan. If this was 1988 and Gozu came onstage blasting “Mr. Riddle” opening for Zoetrope or Nuclear Assault there would be an instant pit. It’s not really metal but it’s still hard as hell and headbanging inducing. And there’s profanity in the lyrics! Always a nice bonus.

“Rise Up” also includes some good use of four letter words with a heavy Clutch via Hendrix stomp. There’s a totally scorching axe solo that sounds like Eddie Van Halen tackling Jimi’s “Who Knows.” If modern rock radio still existed they would be all over “Reagle Beagle.” This one would sound great on the radio flying down the highway and have everyone singing along on the falsetto “whoah aaaa woah” parts before the no nonsense boogie kicks back in.

Over all, Locust Season is a very solid and satisfying listen. None of the 9 songs are weak and it’s about 41 minutes – perfect length for a good album. Lots of variety so it doesn’t get boring and will appeal to just about anyone who likes heavy rock. Gozu is part of a really good breed of current Boston bands like Cortez, Roadsaw, Cult 45, Black Thai and the incredible Scrooges that makes up for past transgressions like Til Tuesday, Think Tree and SSD.  

Gozu or go home!

--Woody

buy here: Locust Season

http://www.myspace.com/gozu666