Legendary Acid Rockers, JPT Scare Band, Drop Hard Rocking New Single and Video “Long Day” to Celebrate National 420 Day. Exclusive World Premiere on The Obelisk

After more than 3 solid months of Acid Blues is the White Man’s Burden, holding down a top 5 spot in CD Baby.com’s Extended Jam Category, legendary acid rockers, JPT Scare Band come roaring back with a blitzing assault on their newest single, “Long Day.”  Featuring the sizzling guitar work of Terry Swope, “Long Day,” tears through more than 7 minutes of searing guitar leads, massive bass riffs, and mammoth drum jamming, all in the definitive JPT Scare Band style.

To make things even more appropriate, JPT Scare Band and Ripple Music will release the single and world-premiere of the psychedelic video on April 20, 2011, National Weed Day.  The term 420 originated from a group of teenagers at San Rafael High School in California in 1971. The teens met after school at 4:20 p.m. to smoke out at the Louis Pasteur statue.  Since then, the date has become legendary in the Stoner Rock community.  An ethos JPT Scare Band embraces whole heartedly.

After years of plying their frenzied, hard-rocking, acid blues trade in near obscurity, the love and accolades keep pouring in for JPT Scare Band.  Classic Rock Magazine honored JPT by including their last single “Not My Fault” on their November cover-mounted CD.   After previously naming JPT Scare Band one of the “lost pioneers of heavy metal,” Classic Rock continued the love fest proclaiming that “JPT Scare Band plied a terrifying form of ear-bludgeoning hard rock that was so far ahead of its time, people are still trying to catch up.”

The world premiere of the hard-rocking, definitively heavy psych video for “Long Day,” will make its debut April 20^th exclusively at The Obelisk, one of stoner rock’s premiere websites and the home of The Obelisk Forum, a watering hole for thousands of fans of hard, heavy, stoner and doom rock.  You can find the video here: The Obeliskhttp://theobelisk.net/obelisk/2011/04/19/jptvid/

 “Long Day” will be available as a digital single from CD Baby and all fine digital music emporiums.   Meanwhile, Acid Blues is the White Man’s Burden is still available in limited quantities from Ripple Music in two-toned, gatefold, double-LP with two bonus tracks, Deluxe digipack CD, or digital at www.ripple-music.com

Go here to check out the world premiere video.

Poobah’s "Let Me In" Tops Rolling Stone Year End List!

As 2010 came roaring to an end, Poobah’s Let Me In, released on Oct. 12th found itself at the top of many Year End Lists, being hailed as a Re-Issue of the Year by David Fricke, senior writer for Rolling Stone Magazine, Pat Prince of Goldmine Magazine, Ray Van Horn, Jr. of The Metal Minute/Retaliate Magazine, and even going as far as being called “album of the decade” by Ray Dorsey of Ray’s Realm!

So, congratulations go out to Jim Gustafson for creating a piece of music with the vitality and staying power that Let Me In has, as well as a big round of applause to T. Dallas Reed for his countless hours of blowing off the sonic dust from the original 1972 analog tapes, and graphic designer Vic Jong for laboriously toiling over the details of the packaging reproduction in an effort to retain the visual feel of the original LP!

Here are a few more words to carry us into 2011:

“Between Jim Gustafson’s primal vocals to his gut wrenching licks on his Les Paul . . . they should have been huge, Black Sabbath Huge, because they were on par as far as sound and attack but it was not to be." -- Metal Exiles

"One of the highlights of the year!  Let Me In is an album deserving of any status this reissue can give it, be it “classic” or otherwise.” – The Obelisk

“On the basis of Let Me In, Poobah is more than just a shaggy curiosity from the Me Decade – it’s a band worth discovering for fans not satisfied with endless Grand Funk retreads on classic rock radio." -- Sleazegrinder

Catch Poobah on the road throughout the winter of 2011!

Fri. Jan.7 WRANGLER Whipple, OH 8:30pm
Fri.Jan.21 MARIETTA BREWING Co., Marietta, OH 9:45pm
Fri. Jan. 28 JACKIE O's Athens, OH 9:30pm
Sat. Jan. 29 HOME Tavern, Logan, OH 9:00pm
Fri. Feb. 18 IRON SADDLE Akron, OH 10:00pm     
Sat. Feb.19 HAPS Bar New Waterford, OH 9:45pm
Sat. Feb.26 LAKEVIEW Tavern Albany, OH 8:30pm
Fri. March 4 NICOLOZAKES Fairpoint, OH 9:45 pm

Poobah - Let Me In

One of the first things that attracted me to the Ripple Effect freaks is their deep love and understanding of the ultra obscure heavy bands from the 1970’s that they feature on the “Proto Metal Report.” Anyone who takes time out of their lives to champion Dust, Sir Lord Baltimore, Toad, JPT Scare Band, Jerusalem, etc is someone I want to know. Nobler than just talking about it, they are putting their time and money into bringing some of these lost artifacts back into existence again on their Ripple Music label. They’ve already unleashed a great collection of unreleased JPT Scare Band recordings and now they’ve done us all a huge favor by reissuing Poobah’s Let Me In.

I bought my copy just to support the label but didn’t know what to expect. Turns out this is right up my alley. Vintage Alice Cooper, Black Sabbath, Jimi Hendrix, Johnny Winter, Grand Funk Railroad is some of my favorite rock and Let Me In is a killer mix of all of ‘em. Grand Poobah, guitarist, singer, songwriter, Jim Gustafson is an awesome player and burns up the fretboard like a muther. It reminded me a lot of the first time I heard the Truth & Janey band – kick ass American power trio rock from the Midwest with lots of heart and soul.

Recorded back in the glory days of 1972, the original LP of Let Me In featured 6 killer jams and a great album cover. “Mr. Destroyer” starts off with a very funny spoken intro, somewhere in between Cheech & Chong and the voice on the early Ohio Players song “Funky Worm” before an almost “War Pigs” style riff. Jim peels off some great solos and they rhythm section of bassist Phil Jones and drummer Glenn Wiseman is very tight and grooves hard. Jim’s playing brings to mind both Ron Asheton and Tony Iommi at the same time. “Enjoy What You Have” is a mellower song that should replace Boston’s worn out “More Than A Feeling” on the playlist for all classic rock radio stations. It’s followed up with the killer mid tempo boogie of “Live To Work.” Even though Poobah is from Ohio, this is pure Texas boogie that would make Johnny Winter take notice.

Side two of the original LP kicks off with probably my favorite song “Bowleen.” It’s got a great tribal drum beat similar to Alice Coooper’s “Black Juju” and Jim adds some spooky organ on top of his creepy guitar riff. “Rock N Roll” is the type of song that my older brothers used to love to torture my mother with back in the 70’s. It’s loud and obnoxious with lyrics about how great rock is and of course getting high! I can practically hear her screaming to “TURN IT DOWN” during the guitar breaks. “Let Me In” is a 6 and a half minute epic that has everything you could possibly want – great riffs, lyrics about brotherhood and a drum solo.

In addition to this great album, there are TWELVE bonus tracks! You get everything from what was probably their intro tape (“Here’s The Band”) to unreleased gems like “Going To Rock City” and “Walk Of The Bug” to live rehearsals and radio edits. No expense has been spared on this package. Audio restoration and mastering was handled by none other than Tony Dallas Reed of STONE AXE. This guy knows a little bit about how classic rock should sound, so you know the fidelity is top notch. The CD is almost 80 minutes and the double LP is a thing of beauty. The colored wax is a tripped out marble and the inside spine awaits your seeds!

--Woody

Buy here: Let Me In

Proto-metal Report - Featuring Lucifer's Friend and Night Sun

What was going on in Germany in the early 70’s that they were able to produce such kick ass world class heavy rock? And what’s wrong with the world that the music of Lucifer’s Friend and Night Sun are not being played on your local classic rock radio station right now? The debut albums from both of these bands are required listening for all fans of the mid-tempo hard n heavy realm.

The debut album from Lucifer’s Friend was first unleashed in 1970 and the opening song “Ride The Sky” is something everyone needs to hear. Released the same year as Led Zeppelin III, the song was accused of ripping off “Immigrant Song” but it turns out “Ride The Sky” came first. Take a listen for yourself and see if the opening fanfare played on French horn sounds similar to Robert Plant’s wailing vocals. Zep has been known to pinch some riffs here and there, but this might just be a weird co-incidence. But you never know. It wouldn’t surprise me if Jimmy Page was intrigued by a band named Lucifer’s Friend given his interest in the occult.

Even though Lucifer’s Friend were a German band, they were fronted by British born belter John Lawton. His high pitched voice soars above the heavy, gloomy music perfectly. I must admit the first few times I listened to this his voice reminded me a bit of Mickey Thomas but luckily there are no cheesy songs like “Fooled Around & Fell In Love” or “Jane.” The heavy organ sound makes for immediate comparisons to Deep Purple and Uriah Heep, but Lucifer’s Friend are probably closer to early Atomic Rooster in their blend of doomy guitar/organ interplay and they rarely venture into full on Emerson, Lake & Palmer prog.

All 8 songs on the original album are great. There’s everything from creepy slow ones like “Keep Goin,” mid tempo groovers like “Toxic Shadows” and faster ones like their theme song “Lucifer’s Friend. The latest edition of the CD comes with 5 bonus tracks that vary quite a bit. “Horla” is from 1970 and fits in perfectly with the album. However, there are some songs from 1973 that are pretty lame pop-rock junk like “Our World Is A Rock N Roll Band” with horrible synths and David Cassidy style vocals. Just goes to show what happens when the record company demands a hit!

Lucifer’s Friend went on to make a few more albums but changed their style quite a bit from the debut, which is where Night Sun comes in. Another German band with a high pitched screamer and pounding organist, this sounds like it should have been the second album from Lucifer’s Friend. Their debut album Mournin’ from 1972 has been described as Lucifer’s Cousin or Lucifer’s Friend That Came With The Other Guy.

Album opener “Plastic Shotgun” is an insanely complex song that will make your head spin. Night Sun has a bit more ELP in their sound than Lucifer’s Friend but are too heavy to be a full on prog rock band. “Got A Bone Of My Own” and “Slush Pan Man” are dead ringers for Death Walks Behind You-era Atomic Rooster outtakes. “Blind” has a nice jazzy groove to it similar to Deep Purple’s “Lazy” with some nice guitar work. Fast ones like “Crazy Woman” and “Nightmare” use the “Speed King” template to excellent effect.

Sadly, both of these albums are out of print but used copies can be found in all the usual places. Both of these albums belong on your stereo if you love Captain Beyond, The Groundhogs, Hard Stuff and all of the bands already mentioned. It might cost you, but heavy rock this good is hard to find.  -- Woody

Buy here:  Lucifer's Firend

Buy here: Mournin' [2010 Reissue Vinyl]